Thursday, September 24, 2009
Relying on the Kindness of Strangers
My now dim recollection is that back home, we felt omnipotent in the business of our daily lives. This is almost certainly a total delusion brought on by my current feelings of helplessness, but go with me here.
To quote today's Times: "Instead of centering assessments on the goods and services an economy produces, policy makers would do better to focus on the material well-being of typical people by measuring income and consumption, along with the availability of health care and education."
If you're curious, here is the NYT article on his Pittsburg Rant.
Tuesday, September 22, 2009
Is She Really Writing a Whole Entry About Just the Second Floor?
As of yesterday, it is Fall, and just the tiniest sliver of moon rose last night in the western sky. Abigail’s comment, following a sharp dramatic intake of breath:“It looks just like a movie!” I realized with a tinge of chagrin that she meant the moon from which the little boy sits fishing at the start of Dreamworks productions. An earlier generation knew to be thrilled by each new appearance of the MGM Lion (born, as we now know, in the zoo of Dublin, Ireland.) My children’s generation can’t see a rising moon without being drawn into Spielberg's world.
We all find our enchantments where we can. For me, there's no place like home.
I spent most of the day padding back and forth around the tile and stone second floor of Bastide de la Loge. To say that I am idle these days might suggest a degree of activity somewhat beyond what actually takes place. Instead, I was like an old cat: I found a patch of sunlight and just lounged in it. I left you yesterday on the first floor, and we hadn’t yet mounted the stairs. Today I’ll continue our slow strip tease (still strictly rated R-E for explicit scenes of real-estate.) Those of you who have bought your tickets to come and visit, you can start picking out your bedrooms as you read. If you haven't yet, start trolling the low fares on Expedia and get your keester over to see us. We miss you.
We begin at the end of the house, after the salon with the big long table and about a quadrillion old novels, children's school art projects, and then the Wall of Movies. The films here are mostly for the VCR, almost entirely in English, both original and bootlegged versions. Here someone with amazing taste has collected all the absolute greats, lite version: Rushmore, Prizzi’s Honor, The Apartment, When Harry Met Sally, When We Were Kings. Only The Princess Bride seems to be missing, but I haven't looked hard enough to be sure. Above that room are two sets of stairs. One heads further towards the north, straight up to a library built over the side of the hill.
The library has an enormous square desk and is filled with books that provide an excellent education in The Good Life, British expat version. There is a deep and wide section on gardening: The Concise British Flora in Color, Suttons Encyclopedia of Vegetables and Guide Des Arbres at Abustes. There are four shelves just on cooking: Modern Cookery for Private Families, With Bold Knife and Fork, of course Julia Child's masterpieces, and then the Guide du Fromage. One section fills us in on the history and culture of France: Everyman’s France, The Golden Rivera, and Les Folles Du Music-Hall. Another section is just stacked up maps and books on travel: Venice, Tuscany, Spain, South America, Patagonia. Huge coffee-table size books stand ready to educate any willing reader on interior decorating in Provence and Morocco. There is an enormously large section on art, with extra-large shelves. Another section speaks only of film.
There are five shelves of Children’s books, heavy on the Roald Dahl and Eloise series. Old fashion (As opposed to old-fashioned) magazines. Then novels galore -- again, not the heavy and impressive high-school-curriculum classics, but stuff you would love to read by a beach for the next hundred and fifty years. There is a robust grouping of vinyl records, tending away from the things I like, and more towards Verdi and obscure 70's pop groups. There are also dozens of novels and nonfiction referring to the sailing life, then logbooks, filled with pictures and postcards, from a yacht sailing the Mediterranean in the early 1960’s. The man in the photographs looks exactly like the author of a published memoir, of which several score copies occupy a bottom shelf. I have yet to determine whether the author is the owner’s late father or late husband; it seems impertient to ask. The collection has a depth and specificity that speaks directly to the soul of the house’s owner (as most collections of books are wont to do, whether or not the owner knows how loudly the books – or lack therof – speak of his or her character and proclivities.)
No history. No politics. No theory. No pesky high-toned ideas whatsoever; just high style. There is no pointless collection of books from an abandoned PhD, like the security-blanket ones I keep that clutter up our house back home. Just things that you might read in order better to understand, to improve and to enjoy your garden, your kitchen, your children, your sailing vessel, your immediate surroundings and the more fabulous corners of the wide world. If you need a key to the contents and the form of life embodied in the house, you would only start reading the books in this room.
Why do I love this library so much? Well, in part because of the peculiar way in which it is dated. So much of what is here has since evaporated as culturally significant, and remains so only within the clutch of memory. While the world has moved on and gone digital, this trove of slowly molding paper brings the reader straight back into the years just before I joined the human race and into the time I was busy paying attention to other matters, like The Brady Bunch, David Cassidy, 4-H projects, cute boys and pre-calculus.
There is something deeply mysterious about exploring things from the decade before you were born. Or maybe it is just so for me, born five days into the (generally superlame) 1970’s. I missed the 1960’s, time when Every Single Cool Thing Happened, by just five days. So when I get to a place that is resonant of all the storied things that happened back then it brings out a certain romantic and wistful longing. Back at my grandparents' houses I would pore over the yearbooks with pictures of my mother’s P.E. classes, black and white snapshots of my Aunt’s trip to Japan, photos of a pool party with all the women in long Pucci-inspired print dresses, or old color prints of my Dad’s Corvette. Here at Bastide de la Loge, I am visiting someone else’s romantic family history – someone else’s grandmother’s wild times way back when.
On with the tour. Next we’ll walk back down the library steps, then immediately up to the floor of bedrooms and bathrooms un and deux. Off to the left of the stairs is a bathroom with a big green bathtub. It has lots of Victorian-era futsy stuff, including a pink china plate reminding anyone who reads it to “Prepare to Meet Thy Maker.” Apparently that is how one should think about the whole nightly tooth-brushing, flossing and going pee ritual. If I should die before I wake, I pray the Lord finds me adequately groomed.
The rest of floor two consists of two big bedrooms flanking what is possibly the world’s most awesome bathroom. Abigail is sleeping in the first bedroom, with its big circular mirror, a table holding her American Girls representing various times in history, and a desk already strewn with her art supplies and tiny bits of cut up paper. It is hung with a remarkably dark and arresting painting of a woman, naked to the waist, with a red bow in her hair. In many ways, the room is too old for her, but since it is the one closest to me, she won't get lost making her way to find me in the dark during those nights when she can't let herself go back to sleep.
And then you walk through yet another not-quite 90 degree doorway into the room I would most like to take back home with me, if it weren’t so darn enormous. It’s about triple the size of my old office at work, and serves as a bathroom/sitting room/ dressing room with a big old tub between two western-facing windows, a heavy square tub, and a bidet (poetically described by Bill as “the ass bath,”) and a big tiled shower with white filigreed carved wood on each side. There is an enormous walk-in closet, as well as tons of built in shelves. Sorry folks, I’ve already claimed this bathroom for myself for the time being, although when you visit I’ll let you take a quick peek.
The art is what makes it so special. There are gracefully posed women and their beautiful breasts everywhere on the walls of the room. A woman and a bowl of goldfish. A woman lying on her back, dreaming. A woman burying her face in the shoulder of someone who looks a lot like John Lennon, but with square glasses instead of round. A Joseph-Cornell inspired box with a young girl in the background and sacred objects placed in the foreground. Hanging on the wall behind the sink there is a mirror the size of a foursquare court, ringed with iron vines lit up by lightbulbs. It's as though one of those backstage mirrors with all the lights grew to six times its original size and then sprouted metal greenery. Big painted Moroccan-themed doors on the plain old shelves where I stacked up my t-shirts and socks. It is a room that makes me feel that I should be a lot grander than I really am. Perhaps I'll just keep practicing.
And then, just past the bathroom, our bedroom. Big bed with square pillows and yellow sheets. Stone mantel over the fireplace. Huge armoire on the wall, and a University-library sized oak table at the foot of the bed. Our storied decorator has used a crazy-quilt theme in selecting the art here, and it includes a puffy quilted sculpture of a man sailing a boat. A twelve-pointed metal star covers the light in the ceiling. But my favorite element is the puffy soft loveseat, covered in a heavy orange Moroccan blanket. Yesterday, when Grace was having a particularly wicked bout of homesickness, she stayed home from school and she and I sat on the loveseat most of the afternoon, reading Harry Potter back and forth to each other.
One more step through the oddly-angled door and I'm back in the hallway overlooking the entryway with all the art. At the top of the stairs is a lady's writing desk. I say lady even though I never really use that word to describe real women. But this desk is all lady all the time. It is here that I have stacked my own books full of your addresses, your phone numbers, your emails, my tethers back to home. There is a telephone where you can call me, and I can look out over the mountains while you tell me about your trip to Connecticut Muffin, your walk in Prospect Park, your afternoon in the blueberry patch, your trials and irritations at work. Without these sacred texts an their scribbled letters and numbers to connect me to earth, I might float away like an errant hot-air-balloon. And as much as I am enjoying this time away from the world I know, I very much like to keep at least one line firmly attached to the ground.
Monday, September 21, 2009
House of Wonders
Reader warning: for the next few days, this blog will be Rated R-E for explicit descriptions of real estate. Envy-prone New Yorkers in lame little cramped apartments are strongly cautioned.
Since way back when, my dreams have been about houses. In scary dreams, there is a fire and I can’t get outside. Or I dream that someone is coming to get me, and while I’m hunting for a place to hide in closets or even drawers, I recognize in a panic that not one of the locks works. In more benign dreams, I might visit places I knew long ago, and rediscover each knob and cabinet and door in great detail. The most exciting ones are fantastical dreams of enormous rooms with ceilings sixty feet high, sometimes with a giant freshwater pool with a fountain in the middle.
Other people dream of flying or finding rubies, or maybe getting it on with their high school swimming coach. My dreams are nearly all houses. It’s not just fancy real estate porn, mind you (although there is a certain amount of lusting over that giant indoor pool.) Rather, my dreams reveal my deepest craving: that white-linen, chocolate-chip cookie, deep bathtub, puffy comforter, soft-sofa, stone gate feeling of being fully at home.
In the darkest days of my life, I would dream that entire new wings were hidden in a house I was living in at the time. I might open a door in my crummy graduate-student rental, and there would be room upon room of new beautiful spaces, full of old velvet and mahogany furniture. “How did I not open this door before?” I would inevitably think, as my wishes felt fulfilled by new open space and great old dressers and sofas. When I woke up, back in my old familiar room, with my old familiar problems swimming back to the surface, I would try to hang on for as long as I could to that sense of the possible lurking just inside the real. If I could only find that door again. Then I would be OK.
Last spring, I had a whole lot of these looking-for-home dreams, and they would inevitably take me back to my grandparents’ farmhouse, Locust Hill. Upstairs and way back on the south side of the house, I would find a door, and open it again and again to find room upon room of old carpets and big wooden antiques. Each new room felt eerily familiar and birthday-present new at the very same time.
These house dreams skate the thinnest possible line between the metaphorical and the literal. Their symbolism is so immediately apparent as to be almost embarrassing: can’t I be the tiniest bit more mysterious in my dreams? Why does everything Launa always have to be so damn transparent? The truth is simple and straightforward as an old foursquare colonial: houses are important to me in a way that my family is, that writing and thinking and teaching and sunlight are. That love is.
I write all this so you might start to understand what if felt like for me to walk into Bastide de la Loge yesterday afternoon. Remember everything I wrote last week about feeling disenchanted and then re-invigorated by the touch of the real? Well, this new house has plunged me fully and giddily back into pure enchantment. All of the wish-fulfillment extra wings of houses I ever discovered in my dreams have been put together by some sort of genius dream-architect. And then yesterday I was given (if only for the next eight months of off-season rates) its heavy iron key.
When we were planning this trip, neither Bill nor I had ever been to Provence. We rented both houses based only on their internet marketing and our budgeted price point. When we found Les Baumes, we thought it was the most luxurious and impressive property we would ever in our lives inhabit. We bit the bullet and paid (relatively) big bucks, Bill strategizing that a great first impression would win me over, as reluctant as I was to move overseas at all. Bastide de la Loge, in contrast, looked pretty nice online, but just somewhat less impressive. In our minds, we were going from our fancy Hamptons rental back to a much more realistic sort of place in which to spend the longer spread of our time. We liked its location right near the school. We liked the fact that it was big enough to have guests visit us. The phrases “washing machine” and “American-style refrigerator” might also have played into our decision.
A few weeks ago, when we first met Jessica, she walked us through the house’s courtyard, with its deep blue stone saltwater pool, stone lions and turtles and tables, and enormous potted plants and glass bottles everywhere. A dozen and a half big blue-grey shuttered windows were stacked three-high along an enormous western-facing yellow wall. The courtyard was about four times as grand as I had thought, given the photographs online, and it made me inordinately happy just to be inside its walls. I guessed that other beautiful things lay inside, but as the High Priestess of the Church of Delayed Gratification, I just so enjoyed the idea of waiting to see the rest.
Before we could get here, the day back at our cozy Hobbit Hole at Les Baumes was one long shameful and sad little episode of packing and tidying up / yelling at the kids (and on Abigail’s birthday, no less) / final dead-millipede rounds / eating through the last bits of leftover lasagne and yellow cake with chocolate frosting. The rain wouldn’t stop falling, and everything I stuffed into bags felt distressingly damp. Tumble dryers are either illegal or blasphemous in France, apparently. I am afraid to ask which. We left from Sillans to Aups for the final time, snapping a picture of the sign with the slash through the town’s name that told us we were at its edge and moving into new territory.
It was terribly sad to walk away from Les Baumes. It’s the first place I have lived since I was a child that had a name rather than a number as its address. I would miss the view over the valley to the cliffs. I would miss our waterfall, and the sweet little bedrooms and (yes) even standing at the edge of the yard and gazing up at the sun while hanging all our clothes on the line to dry. There might never be a full moon like the one we watched rise in the east and set in the west. But after dragging the whole family and every scrap of our garbage out the door and into the car, in the pouring rain, I was perhaps not at my very best. There were a number of tantrums, and I will leave it to you to guess just who had them and when.
When we arrived with our battered Fed Ex boxes, bursting luggage, and Casino shopping bags full of old groceries and new birthday presents, Jessica and Gerard had just finished cleaning up the house from their final summer renters. The doors and windows were thrown open wide, and I walked into the cool, dark interior of the house.
Grace named it right away: the House of Wonders. She disappeared, swallowed up into its many rooms, and instantly took to opening every drawer and finding hidden keys, old candles, fancy cut glass, piles of ancient stationery, and yellow-and blue stoneware platters stacked twenty high. As Bill listened to Jessica tell him about the quirks of the plumbing and how to work the keys and the washing machine, I just wandered from room to room, taking it all in.
Every surface of every wall – up and down the entryway staircase, along the halls and inside each of the bedrooms – was hung with eclectic and stunningly quirky original artwork, stacked almost floor to ceiling wherever there was an open place for a hook. Most pieces were askew a little more than slightly. Aside from the frames on the artwork itself, there isn’t a right angle to be found in the place.
Off to the right, the kitchen was stuffed with enough pots, pans, stoneware tians, colanders, platters, spice jars, honey pots, wooden spoons, teapots, English cookbooks, Moroccan pottery, coffee cups and old baskets to stock a kitchenware store. The kitchen walls were lined with green and yellow tiles, and there were two wall ovens, four gas burners, and two electric. A big stone sink sat right in the window between the enormous wooden kitchen table and an even more enormous stone one just outside, under a metal trellis hung with a green canopy and wild climbing vines.
I thought to myself, of course, it’s the food, stupid. And this time, I’m going to be the one making it. My survival-mode days of heating up Fresh Direct to keep my family alive are officially over. This is the kind of kitchen that can turn an average Josephine like me into the Barefoot Goshdarn Contessa. I felt as though I had stepped off the little scooter I had been pushing around for years and had hopped into the Formula 1 racing car of kitchen-dom. It’s like when our midlife crisis Dad band, through an unlikely series of mishaps and coincidences, wound up rehearsing one night in the studio space of a real band, backed by a wall of 200 and 300 watt Marshall tube amps. Boy did we rock that night, and I think it had a permanent impact on how we sounded and how we felt about the whole project. Sometimes equipment matters.
On the other side of the hallway is a dining room with dark red walls and Moroccan art. (Jessica’s mother, the remarkable personality who apparently reveled in the project of decorating the house, lived in Morocco when she wasn’t in London or the South of France.) The table is (natch) very old and grandly scaled, with embossed leather on its top. (Isn’t your table embossed leather? Really, no? Whyever not??) Beyond the dining room is a great big room with an enormous stone mantle, low coffee tables and big plump sofas covered in big shaggy blankets, (and, joy of joys for the other three members of my family: an enormous TV hooked up to a satellite providing them with hundreds of shows. In English. This for the children who had no television at all about five months ago.)
I stopped there, just for a minute. I wanted to savor the sense of there being more to discover. I bet Lewis and Clark felt sort of that way, say in Ohio, way back before it became the ultimate swing state. They had already seen so much, and there would clearly be more. They couldn’t have predicted the Grand Canyon, or the Rockies, or even the alternately scary and soothing feeling they would have in facing the great plains. I knew there were bedrooms upstairs, probably with more art and big square pillows and enormous stoneware lamps with crazy chintz patterned lampshades. I was thinking there would be a bathtub, maybe two. I have deeply domestic tastes, my friends, so to me a really good bathtub might as well be the Great Salt Lake.
But I hadn’t banked on two full floors of more bedrooms. The place kept swirling upward and onward forever. More tiles, more rugs and pillows and extremely beautiful, quirky, and arresting original art everywhere. The house just kept expanding in front of me, filling itself up with strange old puppets and a treasure trove of books, and an enormous crazy-quilt of women’s hats hung over the master bed.
I was suddenly and deeply in love. With a house no less, with being here. I had that sense of home, but also the thrill of discovery I had when I used to poke around the back bedrooms of Locust Hill or my grandmother June’s attic, full of my mother’s old toys and papers and photographs from decades of my grandparents' lives, before any of us were born.
When I first got to Les Baumes, the air whispered to me through its open nighttime windows -- you’re here -- welcoming me to time, to reflection and attention and sensation. Here, the walls and the windows and the hundreds of secret drawers and corners are calling to me: now you’re here, Launa. And you’re home.
Saturday, September 19, 2009
The Only Way is Up
Some days those three wheels of our family shopping cart face in the same direction, and just one of us needs a little boost to roll awkwardly along with the rest.
Our measly ration of internet kept shutting itself off whenever the wind shifted or somebody somewhere (who could that possibly be?) tried to log on to Facebook. This internet service hates Facebook even more than a middle school dean. Bill and I would surreptitiously log on while the other was in mid-something-or-other and bump one another off, only sort of by mistake.